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    <loc>http://www.chrismurtha.com/blog-archive/two-reviews-rosemary-mayer-and-erin-shirreff</loc>
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    <lastmod>2022-01-03</lastmod>
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      <image:title>Archived Blog - Two Reviews: Rosemary Mayer and Erin Shirreff - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Archived Blog - Two Reviews: Rosemary Mayer and Erin Shirreff - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.chrismurtha.com/blog-archive/one-work-diane-simpsons-two-point-enclosure</loc>
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    <lastmod>2021-11-01</lastmod>
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      <image:title>Archived Blog - One Work: Diane Simpson's "Two Point Enclosure" - Make it stand out</image:title>
      <image:caption>Diane Simpson, Two Point Enclosure (2020), installed in Point of View at JTT, New York (September 9 – November 13, 2021). Photo: Chris Murtha.</image:caption>
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    <loc>http://www.chrismurtha.com/blog-archive/double-documents</loc>
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    <lastmod>2021-02-18</lastmod>
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      <image:title>Archived Blog - Double Documents: Imaging and Installation in Sturtevant’s “Duchamps”</image:title>
      <image:caption>Two-page spread from Sturtevant’s exhibition catalogue Sturtevant (Stuttgart: Württembergischer Kunstverein, 1992).</image:caption>
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      <image:title>Archived Blog - Double Documents: Imaging and Installation in Sturtevant’s “Duchamps”</image:title>
      <image:caption>My inspiration wall.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - Double Documents: Imaging and Installation in Sturtevant’s “Duchamps”</image:title>
      <image:caption>Installation view of Sturtevant, Studies for Warhols’ Marilyns Beuys’ Actions and Objects Duchamps’ Etc. Including Film, November 16 – December 13, 1973, Everson Museum of Art, Syracuse, New York. Photo: Robert Lorenz, Everson Museum, Exhibition Archive.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/crafting-art-at-the-whitney-museum</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-01-01</lastmod>
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      <image:title>Archived Blog - Crafting Art at the Whitney Museum</image:title>
      <image:caption>Installation views of Making Knowing: Craft in Art, 1950-2019, Whitney Museum of American Art, New York, November 22, 2019 – January 2021. Photos: Ron Amstutz; courtesy of the Whitney Museum.</image:caption>
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      <image:title>Archived Blog - Crafting Art at the Whitney Museum</image:title>
      <image:caption>Making Knowing: Craft in Art, 1950-2019, installation view at Whitney Museum of American Art, New York, November 22, 2019 – January 2021. Photo: Ron Amstutz; courtesy of the Whitney Museum.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/robert-rauschenbergs-night-shades-and-phantoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1560869575739-ZXG2OS6IP3AIZV428YAC/rauschenberg_install_vanities.jpg</image:loc>
      <image:title>Archived Blog - Robert Rauschenberg: Night Shades and Phantoms</image:title>
      <image:caption>Installation view with Vanities (Night Shade), 1991. Robert Rauschenberg, Night Shades and Phantoms, Robert Rauschenberg Foundation, NY, March 14 – July 19, 2019. Photo: Chris Murtha.</image:caption>
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      <image:title>Archived Blog - Robert Rauschenberg: Night Shades and Phantoms</image:title>
      <image:caption>Installation views of Phantoms (all 1991) in the Chapel, the artist’s former studio. Robert Rauschenberg, Night Shades and Phantoms, Robert Rauschenberg Foundation, NY, March 14 – July 19, 2019. Photos: Chris Murtha.</image:caption>
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      <image:title>Archived Blog - Robert Rauschenberg: Night Shades and Phantoms</image:title>
      <image:caption>Installation view of Time Scan (Phantom, 1991) in the Chapel, the artist’s former studio. Robert Rauschenberg, Night Shades and Phantoms, Robert Rauschenberg Foundation, NY, March 14 – July 19, 2019. Photo: Chris Murtha.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/shared-vibrations-matthew-ronay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-21</lastmod>
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      <image:title>Archived Blog - Shared Vibrations: Matthew Ronay</image:title>
      <image:caption>Matthew Ronay, Sagged Silver Cybernation with Sentry (2018). Installation view from Betrayals of and by the Body, Casey Kaplan, NY, April 30 - June 15, 2019. Photo: Chris Murtha.</image:caption>
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      <image:title>Archived Blog - Shared Vibrations: Matthew Ronay</image:title>
      <image:caption>Installation view of Matthew Ronay, Betrayals of and by the Body, Casey Kaplan, NY, April 30 - June 15, 2019. Photo: Chris Murtha.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/morsel-robert-breer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-19</lastmod>
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      <image:title>Archived Blog - Morsel: Robert Breer's Floating Gumdrop</image:title>
      <image:caption>Robert Breer's Osaka I (1970) in MoMA's Sculpture Garden, July 2018. Photo: Chris Murtha</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1532376983334-DL79IKNVWUCLNX6DQ894/breer_expo70_osaka2.jpg</image:loc>
      <image:title>Archived Blog - Morsel: Robert Breer's Floating Gumdrop</image:title>
      <image:caption>Robert Breer's "floats" amid Nakaya Fujiko's fog sculpture, Pepsi Pavilion, Expo '70, Osaka, Japan.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - Morsel: Robert Breer's Floating Gumdrop</image:title>
      <image:caption>Robert Breer's Osaka I installed in MoMA's Sculpture Garden in 1970. Photo from MoMA's online archives.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/on-lutz-bacher-for-artforum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-27</lastmod>
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      <image:title>Archived Blog - On Lutz Bacher for Artforum</image:title>
      <image:caption>All images: Lutz Bacher, The Long March, 2017, series of framed cards, paint on walls; installed at 80 Washington Square East Gallery, NY, June 21 – September 8, 2018. Photos: Chris Murtha.</image:caption>
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      <image:title>Archived Blog - On Lutz Bacher for Artforum</image:title>
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      <image:title>Archived Blog - On Lutz Bacher for Artforum</image:title>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/morsel-duchamp-marzipan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-25</lastmod>
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      <image:title>Archived Blog - Morsel: Duchamp's Marzipan Arcimboldo</image:title>
      <image:caption>Both images: Marcel Duchamp, Sculpture-morte, 1959, insects with marzipan fruit, vegetables, and bread on board-mounted paper, in glass box, 13 1/4 x 9 x 2 1/4 inches; Collection Centre Pompidou, Paris.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - Morsel: Duchamp's Marzipan Arcimboldo</image:title>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/criticspick-artforum-dodge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1530645550532-5OI78XNUCJC8CUV3HNI6/dodge4.jpg</image:loc>
      <image:title>Archived Blog - On Jason Dodge for Artforum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1530645575114-RN8LQ9X7C3Y6VBV2E52I/dodge3.jpg</image:loc>
      <image:title>Archived Blog - On Jason Dodge for Artforum</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1530645382522-ALYVP2QWZ7PF2969Z02H/dodge5.jpg</image:loc>
      <image:title>Archived Blog - On Jason Dodge for Artforum</image:title>
      <image:caption>All images are installation views of Jason Dodge, "hand in hand with the handless," Casey Kaplan, New York, June 21 - July 27, 2018. Photos: Chris Murtha.</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/reviews-november</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-10</lastmod>
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      <image:title>Archived Blog - Recent Reviews for Artforum</image:title>
      <image:caption>Top and bottom: Installation views, Arlene Shechet, Turn Up the Bass, Sikkema Jenkins &amp; Co., October 13 – November 12, 2016; Middle: Installation view, Honza Zamojski, Ghostism, OSMOS Address, October 14 – December 4, 2016. (Photos: Chris Murtha)</image:caption>
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    <image:image>
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      <image:title>Archived Blog - Recent Reviews for Artforum</image:title>
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      <image:title>Archived Blog - Recent Reviews for Artforum</image:title>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/rachel-harrison-perth-amboy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-27</lastmod>
    <image:image>
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      <image:title>Archived Blog - What We Look For When We Look At Art: Rachel Harrison’s Perth Amboy</image:title>
      <image:caption>Installation view, Rachel Harrison: Perth Amboy, The Museum of Modern Art, March 19 – September 5, 2016.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - What We Look For When We Look At Art: Rachel Harrison’s Perth Amboy</image:title>
      <image:caption>Installation view, Rachel Harrison: Perth Amboy, The Museum of Modern Art, March 19 – September 5, 2016.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - What We Look For When We Look At Art: Rachel Harrison’s Perth Amboy</image:title>
      <image:caption>Rachel Harrison, detail of Untitled from Perth Amboy, 2001, wood, GatorBoard, cardboard, Becky Friend of Barbie doll, thumbtacks, and chromogenic print, 96 x 38 x 41 inches.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - What We Look For When We Look At Art: Rachel Harrison’s Perth Amboy</image:title>
      <image:caption>Installation view, Rachel Harrison: Perth Amboy, The Museum of Modern Art, March 19 – September 5, 2016. (All photos: Chris Murtha)</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/bendinglight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-02</lastmod>
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      <image:title>Archived Blog - Bending Light: Allison Malinsky's Sculptural Paintings</image:title>
      <image:caption>Allison Malinsky, Passing Through, 2016, oil on canvas, rubber, linen twine, and wood dowel, 35 x 12.5 x 18 inches; Courtesy of the artist</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/two-reviews-for-artforum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-21</lastmod>
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      <image:title>Archived Blog - Two Reviews for Artforum</image:title>
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      <image:title>Archived Blog - Two Reviews for Artforum</image:title>
      <image:caption>Top and bottom: Installation views, Alicja Kwade, I Rise Again, Changed but the Same, 303 Gallery, NY; Middle: Installation view, Peter Linde Busk, Any Port in a Storm, Derek Eller Gallery, NY. (Photos: Chris Murtha)</image:caption>
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      <image:title>Archived Blog - Two Reviews for Artforum</image:title>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/overview-spring-highlights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1464714374423-4TTSA122A0LPSEJNC2DM/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
      <image:caption>Top: Car Plunge (detail), 1994, Acrylic and ink on paper, 14 x 11 1/4 inches; Bottom: All Alone (detail), 2007, Acrylic and ink on paper, 9 x 6 inches.</image:caption>
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    <image:image>
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      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
      <image:caption>Top: Installation view with Muscle Chair (Laying down to talk) and Beaver's Lunch (The Uncoverer), both 2016; Bottom: Installation view, “Jessi Reaves,” April 10 – June 5, 2016, Bridget Donahue, NY. (Photos: Chris Murtha)</image:caption>
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      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
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      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
      <image:caption>Top: Installation view with Universal Early Retirement (spots #1 &amp; #2), 2016; Bottom: Installation view, Josh Kline, “Unemployment,” May 3 ­– June 12, 47 Canal, NY. (Photos: Chris Murtha)</image:caption>
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      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
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      <image:title>Archived Blog - Overview: Spring Highlights</image:title>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/von-bruenchenhein-otherworldly-treasures</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
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      <image:title>Archived Blog - Eugene Von Bruenchenhein’s Otherworldly Treasures</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461848791578-GE43BWHCNW28T2K23XTF/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Eugene Von Bruenchenhein’s Otherworldly Treasures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461848824648-JZPYGCQWTU3FFWRFCG2C/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Eugene Von Bruenchenhein’s Otherworldly Treasures</image:title>
      <image:caption>Top: Untitled, 1978, Oil on cardboard, 29 1/2 x 13 1/2 inches; Middle: To The Endless Span of Creation (detail), 1954, Oil on board, 24 x 24 inches; Bottom: Installation view, Eugene Von Bruenchenhein, King of Lesser Lands, March 24 – May 8, 2016, Andrew Edlin Gallery, NY. (Photos: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/ellsworth-kelly-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461812081201-39HVZJTS351CI6S6E2GQ/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - The Shape of Light: Ellsworth Kelly’s Photography</image:title>
      <image:caption>Screen capture showing thumbnails of Ellsworth Kelly's photographs on Matthew Marks Gallery’s website, www.matthewmarks.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461812057020-0PGWJ0VBNKPF7N9O4NBY/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - The Shape of Light: Ellsworth Kelly’s Photography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461857786909-RMW73EZNJP2HNDDLFRZS/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - The Shape of Light: Ellsworth Kelly’s Photography</image:title>
      <image:caption>Potato Barn, Southampton, 1968, Gelatin silver print, 8 1/2 x 13 inches; Above: Doorway, Belle-Île-en-Mer, 1977, Gelatin silver print, 12 7/8 x 8 1/2 inches. (Photos: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/balancing-act-fischli-weiss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461703339933-VCJAX2NUVYU0BRR4BMZL/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Balancing Act: Peter Fischli and David Weiss at the Guggenheim</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461704418715-6WC16FV6PV6Q7RJ4Z17O/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Balancing Act: Peter Fischli and David Weiss at the Guggenheim</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461862641670-HWYUBG3WVRZFY6XZF02O/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Balancing Act: Peter Fischli and David Weiss at the Guggenheim</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461859979614-LKK1RN6M0WD2VZY3EEPX/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Balancing Act: Peter Fischli and David Weiss at the Guggenheim</image:title>
      <image:caption>Images (top to bottom): Installation view of Suddenly This Overview, 1981–present, with “Mick Jagger and Brian Jones Going Home Satisfied After Composing ‘I Can’t Get No Satisfaction’” and “Ancient Fertility Symbol”; Installation view of Untitled, 1994, Painted polyurethane, 19 parts, Courtesy Matthew Marks Gallery; Installation view of Questions, 2000–2003; Rat and Bear (Sleeping), 2008, Cotton, wire, polyester, and electric mechanism, Dimensions variable. (Photos: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/on-view-sharon-core</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461247053981-VT9870X33VSHK45MCJOJ/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - On View: Sharon Core at Yancey Richardson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1461246760053-4E4D35NAL5UUZI48QB2N/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - On View: Sharon Core at Yancey Richardson</image:title>
      <image:caption>Top: Untitled #4, 2015, Archival pigment print, 30 x 20 inches, Ed. of 7; Bottom: Installation view with Untitled #1 and Untitled #11, Sharon Core, Understory, Yancey Richardson Gallery, NY. (Photos: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/waiting-and-aging-the-paintings-of-david-byrd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1457638466439-WJC8NO36KMZF65OAYKFU/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Waiting and Aging: David Byrd’s Hospital Paintings</image:title>
      <image:caption>David Byrd, Mopper, 1998, Oil on canvas, 20 x 26 inches; The Patients and the Doctors, Zieher Smith &amp; Horton, NY. (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1453835708206-0YBCFDF79AZ0T2ZNAJZA/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Waiting and Aging: David Byrd’s Hospital Paintings</image:title>
      <image:caption>David Byrd, Patient in Corridor, 1976, Oil on canvas, 14 x 18 inches; The Patients and the Doctors, Zieher Smith &amp; Horton, NY. (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1453833870282-PDEW103XDQ6LV1388FZU/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Waiting and Aging: David Byrd’s Hospital Paintings</image:title>
      <image:caption>David Byrd, Waiting and Aging, 1989, Oil on canvas, 23 x 33 inches; The Patients and the Doctors, Zieher Smith &amp; Horton, NY. (Photo: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/on-view-miranda-lichtenstein-at-elizabeth-dee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1449157750755-HAT4BDC3EHVZ9BDX8C7Z/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - On View: Miranda Lichtenstein at Elizabeth Dee</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1449071799740-XOP0FTDP8EDV2QFWDAMT/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - On View: Miranda Lichtenstein at Elizabeth Dee</image:title>
      <image:caption>Top and bottom: Installation views, Miranda Lichtenstein, “more Me than mine,” Elizabeth Dee, NY. (Photos: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/overview-fall-highlights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447885925285-NB6LDIU730YM14Z67PUT/hicks4.jpg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Top: Installation view with White River (Fleuve Blanc), 2013-14; Bottom: Installation view with Agreed Upon, 2015, and Perpetual Migration, 2014-15; “Sheila Hicks,” Sikkema Jenkins &amp; Co., NY. (All photos by Chris Murtha unless otherwise noted.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447360009303-U7JJQZR01FY808EQUN3O/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1448055583330-FZPBJLDCZ87K6BEPFK3K/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447431216684-49UD26N6BQ2P8129PAQI/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Top: Is He Cheating, 2015, three-dimensional resin print with video and telephone components, 37 7/8 x 9 1/2 x 3 1/4 inches; Bottom: Installation view, “Camille Henrot,” Metro Pictures Gallery, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447880207559-BKYO14ZRORW5JER1WYF5/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447879609143-CCXXH83JMC6DIUNLUOKO/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Top: Grand St. Boogie Woogie, 2014-15, water-based paint, archival ink, graphite, and wood, 82 x 60 inches; Bottom: Linen Last Judgement (V) / Saltan Sea (detail), 2015, water-based paint, archival ink, graphite, linen, and wood, 72 x 54 1/2 inches; Zach Harris, “Must Chill,” Feuer/Mesler, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447370277451-9GPLY95AZ7QGU06KFAUV/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447366547601-CWJC4KC2KC30KFX4OA86/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Top: High School Senior Portrait, 1984, 2014, oil on linen, 44 x 35 inches; Bottom: Installation view, Keith Mayerson, “My American Dream,” Marlborough Chelsea, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447432534731-6V7XGKHQG3LY1L5LM70L/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447863326706-Y5JQFJWCA77K8RHCFSOK/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1447863291281-60V2CCTU33UR50U6EYLB/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Image caption: Top: Installation view with Syracusa Portal (2015); Bottom: Installation view, Keith Sonnier, "Portals," Maccarone, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1448055738611-LDU3YQ1KFWO19BCATLN0/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Fall Highlights</image:title>
      <image:caption>Top and bottom: Installation views, Jennifer Bornstein, “New Rubbing and Psychological and Performance Tests,” Gavin Brown's enterprise, NY.  (Photos courtesy the artist and Gavin Brown's enterprise.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/review-david-nelson-at-80wse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446130449768-1L2T2BNSXK3RUOW0Z4U4/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
      <image:caption>Untitled (from "1 Hour"), c. 1992-1993, photogram, 20 x 16 inches. (All works by David Nelson; all photos by the author.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446669074481-S50RYVS755019KGPH6HF/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446669278920-41AJIQNN4D30B1RA7G3Q/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
      <image:caption>Installation view of "David Nelson" with Untitled, c. 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446135644974-FPD3YWOGPPIDVYDRXEEG/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446135624401-N1E6ZOIGJ8A19Y8WSYCO/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446144888381-GYW4KMZXXL2I12S7K5DV/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
      <image:caption>Above: Installation view of "David Nelson" with Untitled (Train Man, Brother: Doppelgänger), c. 1997, and Untitled, c. 1992; Below: Detail from Untitled (Train Man, Brother: Doppelgänger).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1446137032845-OK25QAEYYLJ14BJ61J4R/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Review: David Nelson at 80WSE</image:title>
      <image:caption>Left: Untitled (Hole), detail, c. 1997, photogram mounted on canvas, 40 x 43 1/2 inches; Right: Hole Reflection 2, detail, 1997, silver gelatin print, 28 x 38 inches; Bottom: Installation view of "David Nelson" with Hole #16, 1999, and Untitled (Cube), c. 2000.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/overview-summer-group-shows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437742449374-5K8IOB0GW7UP32I6LYKC/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437741993749-1UBW6NC4E9RDGH6AMNEF/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
      <image:caption>Top: Installation view with Paul Swendeck's Porifera III and VI (2015); Bottom: Installation view; Tiger Tiger, Salon 94 Bowery, NY.  (Photos: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437569777401-HZPKR3UE6A2NJVEGQFLP/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
      <image:caption>From left to right: Forcefield's P Lobe Autumn Shroud (2002), Karl Wirsum's Gilateen (1968), and Peter Voulkos' Blue and Gray (1959); What Nerve!, Matthew Marks Gallery, NY.  (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437514158553-T8S3N8PWMOTXI491EDUF/rockhound.jpg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
      <image:caption>Top: Installation view with Ernesto Burgos' Negative Nothing (2014) and Michelle Segre's Untitled (Bone) (2013); Bottom: Installation view with Jennifer Paige Cohen's Untitled (Green and Yellow Sweater) (2014) and Arlene Shechet's Hero (2015); Rock Hound Swap Meet, Junior Projects, NY. (Photos: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437742548485-W7SC6CASMOHJWZP7AINQ/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437517226063-ZRQQCSUUOPVQV3MLV8QR/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
      <image:caption>Installation view with Ken Price’s Tubby (2011), Diane Simpson’s Vest (scalloped) (2010), and Roger Brown’s Bonsai #5, Literati (Bunjing) (1997); Bonsai #5, Maccarone, NY.  (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1437517565685-IJ7MBOYTKU6PEL5QF4WV/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Summer Group Shows</image:title>
      <image:caption>From left to right: Miyoko Ito’s The Seawatch (1957), Lisa Williamson’s Wavy Dimension (June)(2015), and Robert Morris’s Vetti V (1983); No Vacancies, Marianne Boesky Gallery, NY. (Photo: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/overview-three-exhibitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1430409962815-YU9SJI1820P01I4OV1WP/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Three Exhibitions</image:title>
      <image:caption>Detail of Liquidity, Inc. (2014) by Hito Steyerl, Artists Space, NY.  (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1430408901905-4S0PA38OQH5ZHJX9PG2N/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Three Exhibitions</image:title>
      <image:caption>Barbara Kasten, Stages, Institute of Contemporary Art, Philadelphia.  (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1430407982613-QFO81GBOXOQS85MGU2C4/image-asset.jpeg</image:loc>
      <image:title>Archived Blog - Overview: Three Exhibitions</image:title>
      <image:caption>Masterpieces &amp; Curiosities: Nicole Eisenman’s Seder, The Jewish Museum, NY.  (Photo: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/francesca-dimattio-at-salon-94</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1429295054751-59X2UGVUN3TUEN6IG9C0/dimattio_salon94_web1.jpg</image:loc>
      <image:title>Archived Blog - On View: Francesca DiMattio at Salon 94</image:title>
      <image:caption>Installation view: Francesca DiMattio, Domestic Sculpture, Salon 94 Bowery. (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1429295037271-4DFH6NBWKBT5QSHKPGZ4/dimattio_salon94_web2.jpg</image:loc>
      <image:title>Archived Blog - On View: Francesca DiMattio at Salon 94</image:title>
      <image:caption>Francesca DiMattio, Iznik, 2015, Glaze and luster on porcelain and stoneware, 88 x 29 x 29 inches; Domestic Sculpture, Salon 94 Bowery. (Photo: Chris Murtha)</image:caption>
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  <url>
    <loc>http://www.chrismurtha.com/blog-archive/tag/Robert+Rauschenberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/tag/Jewish+Museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/blog-archive/tag/Trompe+l%27oeil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/texts-gordon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427144067617-BM2T8UB6P06IKFAZW8M4/image-asset.jpeg</image:loc>
      <image:title>Staging Shadows</image:title>
      <image:caption>Detail of Daniel Gordon's Artichokes and Oranges (2013) from "Shadows and Pears."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427144256895-NEE9S73728VV33LKHKP7/image-asset.jpeg</image:loc>
      <image:title>Staging Shadows</image:title>
      <image:caption>Production still from the New York Close Up film Daniel Gordon Gets Physical, © Art21, Inc., 2013</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/texts-vessels</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427143291739-KAZSNUOAJIAR9758MS8X/image-asset.jpeg</image:loc>
      <image:title>Bodies of Clay</image:title>
      <image:caption>Installation view of Vessels at The Horticultural Society of New York, May 7 – July 3, 2013.  (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427143399330-TADH5H4RSNDKRQ0A1BSG/image-asset.jpeg</image:loc>
      <image:title>Bodies of Clay</image:title>
      <image:caption>Detail of Brie Ruais, Unfolding (Liquid Color), 2011. (Photo: courtesy of the artist and Nicole Klagsbrun)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/texts-delightfulland</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428437372174-5P8BHDMYQO72EXL0HN1C/delightfulland11a_thumb.jpg</image:loc>
      <image:title>Tropical Attraction</image:title>
      <image:caption>Kristina Lee, W.I.R.I.T.F. 2 (detail), 2013, Acrylic and oil on canvas, 40 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427153823791-G9PG5U2JRSKZ3F7UV8UJ/delightfulland9_essay.jpg</image:loc>
      <image:title>Tropical Attraction</image:title>
      <image:caption>Natalie Westbrook, Untitled (detail), 2013. (Photo: Courtesy of the artist and Interstate Projects)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/johncage</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426796303934-EWHMKISY8CW7DIJV0S3I/cage1.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>Installation view, By leaves or play of sunlight – John Cage: Artist and Naturalist, The Horticultural Society of New York, April 2 to May 16, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797090666-OLLYYENFYYSO1BKBIU05/cage3.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>Display case showing Mushroom Book and photographs of Cage by John Klosty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427170427420-O0MIUAR3ISRVTC4EC1EC/cage4.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>Cage collecting mushrooms, Grenoble, France, 1972 (photo: James Klosty)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797086290-CE91RHK0X816HVAE7BQC/cage2.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>Plate II of Mushroom Book, John Cage with Lois Long and Alexander H. Smith, 1972. © John Cage Trust at Bard College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797359267-Z1NPZYPKIFQ02UXML2PN/cage5.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>Installation view, By leaves or play of sunlight – John Cage: Artist and Naturalist, The Horticultural Society of New York, April 2 to May 16, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797372591-ZIIZO4DFEQ2TPSJUIP0C/cage6.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>John Cage, Edible Drawing #4, 1990, Bitter melon, pepper, and greens dried into a sheet, 9 x 11 1/2 inches, Edition of 6, Courtesy Margarete Roeder Gallery / © John Cage Trust at Bard College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797381384-BTSELQR2MFTB07DB9DAN/cage7.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>John Cage, Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978, Color hard ground and soft ground etching with drypoint, engraving, sugar lift aquatint, and photoetching, 22 3/8 x 29 3/4 inches, Edition of 25, AP 5/10. © John Cage Trust at Bard College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426797381296-8MVE3IDWJPMODHFANLTK/cage8.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
      <image:caption>John Cage, 17 Drawings by Thoreau, 1978, Color photoetching, each print color unique, 24 ½ x 36 inches, Edition of 25, AP 10. © John Cage Trust at Bard College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427748021283-ATV5MM4DFH0262K677J9/cage4.jpg</image:loc>
      <image:title>John Cage: Artist and Naturalist</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/danielgordon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799092433-K1ALQ3PU1YH07USSVLHC/gordon1.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Installation view: Daniel Gordon, Shadows and Pears, The Horticultural Society of New York, December 12, 2013 to February 7, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799251590-0FZ1CEEZK5PO7AJIRL92/gordon2.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Daniel Gordon, Crescent Eyed Portrait (in Blue), 2013, C-Print, 40 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799093390-UMAUFL09KXSEOPUJ9C83/gordon3.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Installation view: Daniel Gordon, Shadows and Pears, The Horticultural Society of New York, December 12, 2013 to February 7, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799096479-9NWSDSHB2XC7HBA693Q1/gordon4.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Daniel Gordon, Still Life with Cherry Blossoms and Zucchini, 2013, C-Print, 50 x 60 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799097353-UYQ4DOL0M65JV9AR0I0T/gordon5.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Daniel Gordon, Artichokes and Oranges, 2013, C-Print, 50 x 40 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799098964-ZVO5BYUANMS0ZPOPKX9J/gordon6.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Installation view: Daniel Gordon, Shadows and Pears, The Horticultural Society of New York, December 12, 2013 to February 7, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799098876-EA12KN4UP2Y818L8C1PI/gordon7.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Daniel Gordon, Still Life with Lobster, 2012, C-Print, 50 x 60 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1426799100093-RU05A6MRXLYSOXJPN7QQ/gordon8.jpg</image:loc>
      <image:title>Daniel Gordon: Shadows and Pears</image:title>
      <image:caption>Daniel Gordon, Crescent Eyed Portrait, 2012, C-Print, 40 x 30 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/vessels</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427140433079-T8RALO5HJET07H2XRNP6/Vessels1.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view with Betty Woodman's "On the Way to Mexico" in foreground: Vessels, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141669597-SO5KE77DC9SHUNDO4TF3/Vessels2.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view of Vessels with Nicole Cherubini's "Earth Pot 2" and Beverly Semmes' "Teapot."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141681808-MM935KT6W8LGT0TGK1VO/Vessels3.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Beverly Semmes, Teapot, 2013, Ink on paper, 10 1/2 x 7 3/4 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141707996-OURLA89YEP1P4WVG5TG2/Vessels4.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Nicole Cherubini's "White Drip with Arch" and "Lazy River" (both 2012), Courtesy the artist and Tracy Williams Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427142081531-DFUWXHEI9QKMO75MGYKS/Vessels5.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Francesca DiMattio, Putti Vase, 2013, Underglaze, gold luster, and enamels on porcelain, 23 x 12 1/4 x 12 1/2 inches, Courtesy the artist and Salon 94, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427142082048-E2ALN5SHS4TGZSJELTH7/Vessels6.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view with Francesca DiMattio's "Putti Vase" in foreground: Vessels, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141708249-LE5I9Y3EQQ7WTDKSWBYG/Vessels7.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view: Vessels, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141708874-AQ5XDNDC3H31VFVZS8AM/Vessels8.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view: Vessels, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141708980-9XIZPT0C7WTKCGJZYIOD/Vessels9.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Brie Ruais, Unfolding (Liquid Color), 2011, The artist's body weight in clay spread out in all directions; Stained blue, yellow, and green clay, white and brown stoneware, fired with clear glaze, 75 x 67 x 1 inches, Courtesy the artist and Nicole Klagsbrun, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427142083372-GLIQ6H1H849Y9ZGMB1I6/Vessels10.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Detail of Brie Ruais' Unfolding (Liquid Color), Courtesy the artist and Nicole Klagsbrun, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427141762317-Y5TD5UWX66NC96Y1C2PX/Vessels11.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Brie Ruais, Nobody Puts Baby in the Corner (Big Push in a New Space), March 26, 2012. 10:15pm-10:58pm, 2012, Video, Edition 1/5, 2:28 minutes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427142020880-3DKHM6FJ4N1L03NTOYQW/Vessels12.jpg</image:loc>
      <image:title>Vessels</image:title>
      <image:caption>Installation view of Vessels with Betty Woodman's "Vase Upon Vase: Joy" (2011) and Beverly Semmes' "Eye" and "Slippers" (both 2012) from the Feminist Responsibility Project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/peternadin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168481391-A7NP5Y4DBCSEF1LC921S/Nadin1.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Installation view: Peter Nadin, Taxonomy Transplanted, The Horticultural Society of New York, December 12, 2012 – February 8, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168481343-62MIR27SGVAAWIMKANEC/Nadin2.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Peter Nadin's paintings on handmade paper, Mustard I and Wheat I (both 2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168483673-EUBJ3IWSYN8FE8TQ5QOZ/Nadin3.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Installation view with Peter Nadin's Tomato II (2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168483572-ZELPF6WEZ7KA6H32JKF6/Nadin4.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Installation view with Peter Nadin's Tomato I, Ash, and Mustard II (all 2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168751327-CDZ28WVVUV5A0WUGVFO9/Nadin5.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Installation view: Peter Nadin, Taxonomy Transplanted, The Horticultural Society of New York, December 12, 2012 – February 8, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168751575-F5J71GVC7HTYHP1VDIQP/Nadin6.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Peter Nadin, Wheat III (detail), 2012, Triticum, pigment, handmade bamboo and cattail paper, 64 x 40 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168752324-FQINPA1BB9Y4E617ZS2U/Nadin7a.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Installation view: Peter Nadin, Taxonomy Transplanted, The Horticultural Society of New York, December 12, 2012 – February 8, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427168752550-07VKK1SB3XA1Y24NIAML/Nadin8.jpg</image:loc>
      <image:title>Peter Nadin: Taxonomy Transplanted</image:title>
      <image:caption>Peter Nadin and Aimée Toledano, Taxonomy Transplanted, 2012, 16mm film transferred to digital video (black &amp; white, color, sound), 12 minutes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/transplanted-taxonomy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427836439100-1X5QERDE3IL3M836MLH6/image-asset.jpeg</image:loc>
      <image:title>Transplanted Taxonomy</image:title>
      <image:caption>Detail of Peter Nadin, Wheat III, 2012, Triticum, pigment, handmade bamboo and cattail paper, 64 x 40 inches. (Photo: Chris Murtha)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427836345079-D2BCQ1ZZERPMQ5H5R14C/image-asset.jpeg</image:loc>
      <image:title>Transplanted Taxonomy</image:title>
      <image:caption>Cattails along the edge of a pond on Old Field Farm. (Photo: Chris Murtha)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/projectspace-eddy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427292829895-9MIQ63X8WK21S4BLCJGQ/Eddy1.jpg</image:loc>
      <image:title>Austin Eddy: Afterclaps</image:title>
      <image:caption>Installation view: Austin Eddy, Afterclaps, The Horticultural Society of New York, Project Space, December 12, 2013 – February 7, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427292829084-Q8TLW3AXQ8WMR8DVVBGK/eddy2.jpg</image:loc>
      <image:title>Austin Eddy: Afterclaps</image:title>
      <image:caption>Installation view: Austin Eddy, Afterclaps, The Horticultural Society of New York, Project Space, December 12, 2013 – February 7, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427292829653-M3S3PA6WEFH8H095EQB5/eddy3.jpg</image:loc>
      <image:title>Austin Eddy: Afterclaps</image:title>
      <image:caption>Installation view: Austin Eddy, Afterclaps, The Horticultural Society of New York, Project Space, December 12, 2013 – February 7, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427292830049-2L5RFT18ERYM9YD1XZSY/eddy4.jpg</image:loc>
      <image:title>Austin Eddy: Afterclaps</image:title>
      <image:caption>Austin Eddy, Lonesome Tree, 2013, Caulking, cut paper, oil, acrylic, ink, and enamel on canvas, 14 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427748076264-I6N6GPUHXYJ9IJLMPKUR/eddy5.jpg</image:loc>
      <image:title>Austin Eddy: Afterclaps</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/projectspace-reis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427294668052-0LWCZ71IUIUMVWJYRAB5/reis1.jpg</image:loc>
      <image:title>Project Space: Naomi Reis</image:title>
      <image:caption>Installation view: Naomi Reis, Borrowed Landscapes, The Horticultural Society of New York, Project Space, August 7 – September 13, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427294667826-JN0KGM0ZEN6F273671NR/reis2.jpg</image:loc>
      <image:title>Project Space: Naomi Reis</image:title>
      <image:caption>Installation view: Naomi Reis, Borrowed Landscape (Tropics of Africa, Asia and the Amazon via Kyoto), 2012-13, and Borrowed Landscape (Tropics of Africa, Asia and the Amazon via The Bronx), 2013, Mixed media collages on paper, 43 1/4 x 30 3/4 inches each (framed).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427294668867-4OAU5STSYMHEU9UCAHNK/reis3.jpg</image:loc>
      <image:title>Project Space: Naomi Reis</image:title>
      <image:caption>Naomi Reis, Interior (Winter, the Bronx), 2013, Acrylic and mixed media collage on paper, 14 x 11 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427294669108-5B70UW1SICFTQ5QQ7ORC/reis4.jpg</image:loc>
      <image:title>Project Space: Naomi Reis</image:title>
      <image:caption>Naomi Reis, Flower Arrangement of Lasting Art: New York, NY, Made in China (detail), 2013, Artificial and live plants, cut tropical foliage, recycled ink and acrylic drawings on mylar, Dimensions variable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/projectspace-plesset</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427377357963-QE58817RBWN8E1E3H8A6/plesset1.jpg</image:loc>
      <image:title>Project Space: Anna Plesset</image:title>
      <image:caption>Installation view: Anna Plesset, Observe, Notice, Understand, June 1 – November 30, 2010, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427377358766-DNGLULCT9G4UD58DH9AY/plesset2.jpg</image:loc>
      <image:title>Project Space: Anna Plesset</image:title>
      <image:caption>Installation view: Anna Plesset, Observe, Notice, Understand, June 1 – November 30, 2010, The Horticultural Society of New York, May 7 – July 3, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427377359314-8NEJM24QTEL0TOCKC8EJ/plesset3.jpg</image:loc>
      <image:title>Project Space: Anna Plesset</image:title>
      <image:caption>Anna Plesset, Observe, Notice, Understand, June 1 – November 30, 2010 (detail), 2010-11, Found twigs and twigs made of clay and gouache, Dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427377359657-LSBVMM4PA1Q70J3RRWR7/plesset4.jpg</image:loc>
      <image:title>Project Space: Anna Plesset</image:title>
      <image:caption>Anna Plesset, Observe, Notice, Understand, June 1 – November 30, 2010 (detail), 2010-11, Found twigs and twigs made of clay and gouache, Dimensions variable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/fieldrecordings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979478252-MUZP9QMEZ5XAAVGTXQ9L/fieldrecordings1a.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Installation view: Saul Becker &amp; Stephen Vitiello, Field Recordings, The Horticultural Society of New York, May 9 – July 6, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979479307-ZY17OB65CMOWSW7531SI/fieldrecordings2a.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Saul Becker, R-beach, 2012, Gouache paper, watercolor, ink, and transfer on paper, 6 x 7 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979478805-FB4XIUCXAOBAWZTW7YBC/fieldrecordings3.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Installation view, Field Recordings: Saul Becker with Stephen Vitiello, Newfoundland, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979479567-70UB0VUKXYFU3ZDHEKTK/fieldrecordings4.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Saul Becker with Stephen Vitiello, Newfoundland, 2012, Illuminated vitrine, electroplated plants and urchins, copper slag, iron pyrite, 10-inch speaker, amplifier, media player, audio (7:46), 61 x 20 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979481135-N6QEOARCUUQP6DIJF9BC/fieldrecordings5.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Installation view: Saul Becker &amp; Stephen Vitiello, Field Recordings, The Horticultural Society of New York, May 9 – July 6, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979480446-89QKKU0EUNCSWX9L31ZH/fieldrecordings6a.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Saul Becker with Stephen Vitiello, Itinerant Array (detail), 2012, Illuminated vitrine, electroplated plants, sound exciters, amplifier, media player, audio (21:51), 58 x 18 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979481994-QUHHYNPFFBKCBQXHBSDA/fieldrecordings8.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Still from: Stephen Vitiello and Matt Flowers, Lost Forest, 2007, Super 8 film transferred to DVD, 4:41.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427979483744-D6XH5U3VE0YDQ71ZTW3Q/fieldrecordings7.jpg</image:loc>
      <image:title>Saul Becker &amp; Stephen Vitiello: Field Recordings</image:title>
      <image:caption>Stephen Vitiello, Untitled (Lost Forest No. 13 and No. 9), 2007-2010, Polaroids, 9 ½ x 12 ½ inches (framed), Courtesy of American Contemporary, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/naturemorte</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014139101-LEQPTAB7B3TR9IU74ZXJ/naturemorte1a.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view: Nature Morte, The Horticultural Society of New York, December 7, 2011 – February 10, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428064984386-E6JBXF51MX3ABO50CKX7/naturemorte8a.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Miranda Lichtenstein, Untitled #8 (flower), 2002-05, Polaroid, 4 3/16 x 5 3/16 inches each, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014138570-X8X8UBRXLU3ZWG0FZG1P/naturemorte2.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view of Nature Morte with (from left to right): Sharon Core, Miranda Lichtenstein, and Corin Hewitt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014139145-3QU0MCXD1S36CR6AG0P2/naturemorte3.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Three photographs from Corin Hewitt's Seed Stage, 2008, Courtesy of Laurel Gitlen, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014139944-5KSSMHBGW3TB59XIOCRE/naturemorte4.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>From Sharon Core's "Early American" series: Still Life with Steak and Asparagus (2008) and Still Life with Flowering Tobacco (2009). Courtesy of Yancey Richardson Gallery, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014140229-0IWSMAS7IXPQZ2WDNBJ3/naturemorte5.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Sharon Core, Early American, Still Life with Steak and Asparagus, 2008, Chromogenic print, 17 ¼ x 23 ¼ inches, Edition of 7, Courtesy of Yancey Richardson Gallery, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014140631-1A32CWRJDG4W94GN3EBK/naturemorte6.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view of Nature Morte with Miranda Lichtenstein's polaroids and Corin Hewitt's Drying Flowers with Microwaves (2010).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014254107-E8GMT4QGOBYEM72MCPHZ/naturemorte7.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Miranda Lichtenstein, Untitled #1 (fruit), 2002-05, Polaroid, 4 3/16 x 5 3/16 inches, Courtesy of the artist and Elizabeth Dee, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014255036-UH4NC9TSWIA9OXHN7O6Y/naturemorte9.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view of Nature Morte with Miranda Lichtenstein's Screen Shadows and polaroids.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014255184-U7RUOZ5GTERB5CI6T8MT/naturemorte10.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Miranda Lichtenstein, Screen Shadow #18 (Red Bottle), 2010, Archival pigment print, 40 x 25 inches, Edition of 5, Courtesy of the artist and Elizabeth Dee, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014255826-IUIH6XFWGY3C9LIEDWGO/naturemorte11.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view of Miranda Lichtenstein's polaroids.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428014255796-S48E4IN4XXECOT2YNON1/naturemorte12.jpg</image:loc>
      <image:title>Nature Morte</image:title>
      <image:caption>Installation view with Sharon Core's Early American, Still Life with Chinese Export Basket (2007) and Miranda Lichtenstein's polaroids.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/forceofnature</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428068394730-71UDNRWPAU9X5XUTEOUE/image-asset.jpeg</image:loc>
      <image:title>Force of Nature</image:title>
      <image:caption>Robert Bordo, piece of cake, 2006, Oil on linen mounted on panel, 42 1/8 x 51 1/8 inches, Courtesy of the artist and Alexander and Bonin, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/knowles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428071258099-0K09PS0347BINKGHTJNY/knowles2.jpg</image:loc>
      <image:title>Tim Knowles</image:title>
      <image:caption>Tim Knowles, Tree Drawing – Larch on Easel #1 [4 pens]: The How, Borrowdale, Cumbria (detail), 2005, Courtesy of the artist and bitforms, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/sunairi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428069565493-49DEWUZP312H3F8BHDEY/image-asset.jpeg</image:loc>
      <image:title>Hiroshi Sunairi: Tree Project</image:title>
      <image:caption>Detail from a Tree Project poster: Hiroshi Sunairi (with Tree Project participants), 2006-09, Archival inkjet print, 44 x 35 inches, Edition of 15.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/delightfulland</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427135720799-N9HCZFPL43TINNB4XU10/delightfulland1.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Installation view, The Delightful Land, The Horticultural Society of New York, August 7 – September 13, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427135784652-1BF7FWHSJGOV2JH9J9UC/delightfulland2.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Amy Lincoln, Three Eclectus Parrots, 2012, Acrylic on panel, 14 x 10 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427135737137-AJEUHZCRIPO1SMS3JBXG/delightfulland3.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Amy Lincoln, Hyacinth Macaw, 2013, Acrylic on panel, 37 x 24 inches, Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427135788977-I3UB0LXGMCLSJ6R6TIJP/delightfulland4.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Installation view, The Delightful Land, The Horticultural Society of New York, August 7 – September 13, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427136361662-WK970KRN28SJEA1NJI67/delightfulland5.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Kristina Lee, W.I.R.I.T.F. (2 &amp; 3), 2013, Acrylic and oil on canvas, 40 x 30 inches each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427136361970-GC9NZI7SYY6CXM9X0WE1/delightfulland6.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Natalie Westbrook, Untitled, 2013, Ink, watercolor, graphite, acrylic, and collage on paper, 19 1/2 x 25 1/2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427136376120-DMD14VTT7S9AN35KS869/delightfulland7.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Installation view with three paintings by Ryan Schneider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1427136376550-KH1WIMT2TG11BS3CIW86/delightfulland8.jpg</image:loc>
      <image:title>Delightful Land</image:title>
      <image:caption>Ryan Schneider, Tropical Punch, 2013, Oil on canvas, 32 x 36 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/stagingground</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1428070404042-UOITGHP718ELRGR915KM/image-asset.jpeg</image:loc>
      <image:title>Staging Ground</image:title>
      <image:caption>Chris Gentile, End Times/Amend Times #1 (detail), 2008, C-print, ed. 1/5, 14 x 11 inches, Courtesy of the artist and Jeff Bailey Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/curatorialcv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-08</lastmod>
  </url>
  <url>
    <loc>http://www.chrismurtha.com/robert-rauschenberg</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1589055718097-M7C56R1NB8ECZPERABNA/rauschenberg_install1a.jpg</image:loc>
      <image:title>Robert Rauschenberg</image:title>
      <image:caption>Installation view, Robert Rauschenberg: Night Shades and Phantoms, Robert Rauschenberg Foundation, March 14 – July 19, 2019. All works by Robert Rauschenberg © 2020 Robert Rauschenberg Foundation. Photo: Chris Murtha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1589055720279-M9P3C3VMBXBLV8OO6BRS/rauschenberg_install7.jpg</image:loc>
      <image:title>Robert Rauschenberg</image:title>
      <image:caption>Installation view, Robert Rauschenberg: Night Shades and Phantoms, Robert Rauschenberg Foundation, March 14 – July 19, 2019. All works by Robert Rauschenberg © 2020 Robert Rauschenberg Foundation. Photo: Chris Murtha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1589056201396-LMQ2ADV8II54U6LG8KAG/rauschenberg_install7.jpg</image:loc>
      <image:title>Robert Rauschenberg</image:title>
      <image:caption>Installation view, Robert Rauschenberg: Night Shades and Phantoms, Robert Rauschenberg Foundation, March 14 – July 19, 2019. All works by Robert Rauschenberg © 2020 Robert Rauschenberg Foundation. Photo: Chris Murtha.</image:caption>
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      <image:title>Robert Rauschenberg</image:title>
      <image:caption>Installation view, Robert Rauschenberg: Night Shades and Phantoms, Robert Rauschenberg Foundation, March 14 – July 19, 2019. All works by Robert Rauschenberg © 2020 Robert Rauschenberg Foundation. Photo: Chris Murtha.</image:caption>
    </image:image>
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      <image:title>Robert Rauschenberg</image:title>
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      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Jenna Bliss’s “Basic Cable” at Amant, Brooklyn, NY.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/14576362-8ba9-4cf0-9483-f1c7891f1c0f/miletic-mp-3.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Hana Miletić, Materials, 2024, in “Desire Lines” at Magenta Plains, NY, May 6–June 21, 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/8a5d8a0a-7fc6-4ca7-9d72-747ed47f4f04/ramberg-pma-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of “Christina Ramberg: A Retrospective” at Philadelphia Museum of Art, February 8 – June 1, 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/1ecdcceb-d24b-4b35-b6db-4453af7a2971/girouard-cara-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Tina Girouard, “SIGN-IN,” at Center for Art, Research and Alliances (CARA), New York, September 20, 2024 – January 12, 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/27701756-c433-41ae-b73b-945ad6102331/lazard-artistsspace-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Carolyn Lazard’s Fiction Contract (2025) in “Two-way” at Artists Space, NY, February 28 – May 10, 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/f5afbde0-37e3-442a-883f-fed0083ce8e2/henrot-hauserwirth-2.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Camille Henrot, “A Number of Things,” at Hauser &amp; Wirth, New York, DATES</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/c72d8b40-8e2c-4315-ae02-16b1e549d67e/vaughn-dpf-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Jessica Vaughn’s “Cognitive Fatigue” at David Peter Francis, New York, June 20 – July 26, 2025.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/aca4c388-b23d-49f8-b01b-439d7c34b6c1/levine-ulrik-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Les Levine’s Position Regret (1990) in “Analyze Lovers” at Ulrik, New York, November 2, 2024–January 25, 2025.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55088325e4b0ce5019d2b09e/9e6dd8ef-bf58-4f1d-a7d0-0fc95662d662/longo-1.jpg</image:loc>
      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Robert Longo, Detail of Untitled (After Kline, New York, NY, 1953), 2014. © Robert Longo / Artists Rights Society (ars), New York.</image:caption>
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      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Mira Dayal’s Unfolded Map Fold (2024) in “Steel Model of Paper Copy of Desk Top with Pencil Groove,” Spencer Brownstone Gallery, NY, March 8 – May 10, 2025.</image:caption>
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      <image:title>Recent Writings and Projects - Make it stand out</image:title>
      <image:caption>Installation view of Joanna Piotrowska’s “unseeing eyes, restless bodies” at ICA, Philadelphia.</image:caption>
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